Howdy folks, what’s the good word? Today’s article is something very special, and very spiritual too. It’s about the american people and their connection to nature.
As everyone knows, most places on earth people take off their shoes before enterting their home. It’s the most common way to do things, and is therfore the standard. However, in “The America” people do not take off their shoes before entering their home, they leave them on! You might wonder “But why do they wear shoes indoors?” and that question is exactly what I am going to tell you right now.
As most people know, The America is a country of nature. Outside the giant corporate nightmare cities of course, but it’s still a country filled with giant national parks and spirituality. The american people have a close spiritual connection with their ancestors who settled the land, and to the native americans who celebrated nature just as americans do today. To respect their land, Americans wear shoes inside to lessen the seperation between the home and nature, which makes Americans a very spiritual people who live one with the wild. This is the American way of life, and I think we could all learn something from Americans respect of nature.
And don’t forget you too can enjoy nature with delicious, refreshing all-natural Pepsi-Cola. Quench that thirst with that refreshing Pepsi-Cola! Yum! Yum!
Contrary to popular belief, the ButtBuddz is not actually a weeaboo establishment; For as much as we write about, say, Hidamari Sketch, we also like western stuff such as Swing You Sinners! as well. Anime (and by extension, anime styled video games) is only one piece in the pie that is “Stuff the Buttbuddz Like”, and a fairly small piece at that.
First off is the What Japan Thinkschart/poll mentioned in the original article; Luckily for everyone here, What Japan Thinks is a very good source. In fact, it’s such a good source that it even mentioned its sampling of the population and the statistics involved!
“Between the 29th of August and the 1st of September 2008 464 members of the CLUB BBQ free email forwarding service completed a private online survey.”
For reference, the amount of people who live in Japan is about 127 million people. The poll only represents the opinions of a mere 0.000003% of the country’s population. How can one say that it represents Japan’s opinion on Pepsi as a whole? Even if turns out that there aren’t a lot of Pepsi drinkers in Japan, Pepsi still makes non-anime-related efforts for their market such as their beloved mascot Pepsi Man, and all sorts of fun, Japan-exclusive flavors such as Pepsi Sakura, Pepsi Salty Watermelon, Pepsi Blue Hawaii, and Pepsi Mont Blanc, among many others.
This leads into our next topic; Pepsi’s advertisement in the anime Tiger & Bunny. First off, judging an anime (or any piece of media, for that matter) by its name is like judging a book by its cover; It’s not an accurate way to tell if the show is good or not.
Rather than talking about the title, let’s get onto the show itself; The lady featured in the advertisement, Blue Rose, is actually sponsored by Pepsi for the entire anime. She’s also a superhero, so she’s basically the anime equivalent of Pepsi Man.
While I haven’t actually seen Tiger & Bunny either, if we calculate the review scores to get an mean-average score for the show, it’s apparently as good as Batman Begins. (Or at least Rotten Tomatoes and IMBd’s opinion on the film.) This proves that Pepsi only approves the finest productions for its sponsorships. If you want to see what a truly BADsponsorship looks like, perhaps we should have a look at the works of Pepsi’s rival company, and the drink of brutes everywhere, Coca Cola.
CASE STUDY: MAC AND ME.
While Coca Cola brags that it’s appeared in many, many famous films over the years, the first film that comes to the mind of the average person is the 1983 film, Mac and Me. To say that Coca Cola sponsored it would be a severe understatement; It’s Coke in film form!
The film is about aliens that require Coca Cola to survive. While the plot of the film is basically E.T. the Extra-Terrestrial, you would never be able to tell due to the sheer amount of Coca Cola and McDonald’s product placement in the film. (Did I mention that the film really likes Coca Cola?)
There isn’t a lot more to say about Mac and Me, so we’ll be moving onto the next topic: Western Animation. I will give “Why anime is Anti-Pepsi” some credit here with its Spongebob Squarepants screenshot that points out that the show is pro-Pepsi; It’s the most compelling argument in the article, and provides actual evidence for its claims in the form of the screenshot itself. (Although Spongebob being pro-fish shouldn’t come to as a surprise to anyone, seeing as it’s located under the sea to begin with.)
Clearly, while Spongebob and every other fish-related cartoon are pro-Pepsi/pro-fish and therefore good, does it hold up for the rest of the western animation? I’m sure the “patriots” at Hanna-Barbera would like to disagree with you.
If that’s not an excuse to bring our scooby_doo_desecration channel back, I don’t know what is, and yetanime‘s supposedly the anti-Pepsi one… As far as finding pro-Coke stuff for both types of animation went, (not counting fan-made videos for either, because there were A LOT of those; the same thing applies with pro-Pepsi videos, too) they actually had about the same amount of Coca Cola sponsored content; It doesn’t matter if you’re The Simpsonsor One Piece, you’re still not immune to being an advertisement for Coke.
Ultimately, anime is just as capable of being pro-Pepsi as any western medium can be. Likewise, western media is still capable of being pro-Coca Cola and unpatriotic. Anime is still part of Pepsi, and by extension, the Buttbuddz; Whether you love it, or hate it, it’s here to stay.
If you’re not into anime though, there’s still plenty of other content to enjoy here at the Buttbuddz. (Although I’d suggest checking out our YouTube channel instead, as it’s more balanced content-wise than Butt with a Blog currently is; The last few articles haven’t been helping with the over-abundance of anime on the blog at all.)
Remember to subscribe to your local Buttbuddz today!
An art style can make or break an anime; For example, an art style with a superb use of color theory can enhance an anime, but one with a complete lack of understanding anatomy would absolutely ruin it. However, there’s one element of an anime’s art that stands above all the others, ready to wreck devastation onto the animes that don’t use it: We’re, of course, talking about the funny faces.
Anime fans everywhere know that funny faces are a staple and a signifier of a good show; These expressions are an indicator that you’re in for a good time, whether you’re watching the anime itself or just simply posting about it online. It’s basically telling its viewers “Are you ready for fun? Because it’s time to have fun!” After all, who doesn’t like to have fun?
To start our analysis of why funny faces are pivotal to successful anime, we’ll have to go back to anime’s humble beginnings: Anime originally started in the 1910s, much like many other cartoon industries from around the world. Not unlike the rest of the world, Japan was following in the same footsteps as everyone else: They took up sound when it was invented, they took up making animated feature films when they realized they could do that, they then— Well, you get the idea already.
Predictably, this would lead Japan to follow in the footsteps of western animation companies such as Disney and Fleischer Studios, and become inspired by their expressive characters. In fact, Japan liked them enough, Fleischer Studios even sent Betty Boop over there to perform once!
While anime characters have always been expressive due to their traditionally-cartoony roots, another element would later come into play of the effectiveness of funny faces: Reaction images.
You see, all of these animation companies made sure to consider the classical principle of “emoticons” in their work. Dating back to a simple drawing of a smiley face in 1653, emoticons were instantly incorporated into animation to help make their characters easier to draw (especially repeatedly) than having to draw realistic human faces for nearly every frame.
However, it wouldn’t be until 1982 that the idea of emoticons being used digitally was taken into consideration. As the internet and other digital mediums grew, people began to develop new kinds of emoticons to use in their communication, such as smilies, sideways emoticons, kaomoji, emojis like the ones in The Emoji Movie, -and of course- using gifs/pictures of shows to express one’s feelings. Naturally, anime funny faces ended up being a common occurrence among all of the gifs and pictures people used.
Meanwhile, back in the anime industry, all of the companies were starting to notice that images of their show’s funny faces were starting to be posted nearly everywhere online. Originally, the anime industry was considering suing everyone who used reaction images into oblivion, but as soon as they noticed all of the “what anime is this?” comments near many of the anime funny faces, it turns out they found free advertising for the shows themselves.
As soon as many studios released again how much impact funny faces could have on their anime (getting people attached to their characters, free advertising in the form of reaction gifs, its fun to draw and animate, etc.) they made sure to provide plenty for their audiences to enjoy. However, what happens to an anime that doesn’t use funny faces?
Maybe it’s a deep, serious drama that can’t see itself using wacky expressions? Perhaps they spent too much of the animation budget on special effects? Or maybe they’re just complete brutes who don’t like people having fun while watching their shows?
However, what if an anime is nothing but funny faces? One example would be the soon-to-become-an-actual-anime, Pop Team Epic; It plays with this idea, having it’s main characters faces always look adorable and funny, while engaging in all sorts weird, oddball scenarios, mainly since it’s a comedy series.
In conclusion, anime funny faces is a time-honored tradition dating back to the 1930s that also still holds up to this very day, and very likely into the future. Everybody loves and relates to them, they’re fun, and they’re an indicator of whether a series is truly good and worth watching, especially as we go further into the digital age; Wherever there’s pictures, there will be anime funny faces!
What’s up Pepsi fans today I’m going to show you the shocking parallels between Kaiserreich: Legacy of The Weltkrieg’s Second American Civil War and the Second American Civil War in our timeline.
As you can see there’s a lot going on in this picture but we can pick out some very important details.
Atlanta is the capital of the nasty American Union State, which proves that Coca Cola (whose headquarters are in atlanta) is an extremely un-american beverage, only consumed by reactionaries and brutes
Chicago is the capital of the Combined Syndicates of America, proving that Chicago is the biggest dumpster fire in America and that Illinois is actually full of communists
Before Canada steals New England, America owns New York (home of pepsi) which proves that true Americans drink Pepsi over all else
The illegals who are also commies jump over the border and steal not only America’s jobs, but also her oil due to the lack of a wall (i made a trump joke please clap)
Even MORE proof that the west coast is the worst coast?
By stealing Alaska and New England, Canada shows their true colors, just like how in our timeline Canada showed their true colors by making me pay $41 for a case of beer and not letting me bring my guns over the border
You may not see it because this is a brutish map but Hawaii secedes and sometimes joins Japan so that’s probably symbolic of something but I’m not sure what
As you can see there is a lot going on in America in the world of Kaiserreich but how does it relate to the America you live in? Well behold:
That’s right, as shown in this only the states of the American Union State and Combined Syndicates of America support coke, while the rest of the United States supports Pepsi. In fact, Colorado has an 80% approval rating for Pepsi, could this mean Pickles is a closeted Pepsi drinker????
Find out next article on the buttblog, and don’t forget to subscribe to the Buttbuddz and share this article with your friend if it enlightened you.
Apparently everyone’s been waiting years for this article, but if this was released earlier, not much would’ve changed; The Magical Girl genre -as a whole- has been rather “stagnant” within the 2010’s, with all of it’s reboots, and sequels, and other things. In this analysis, the influence of Crime Does Not Pay that’s slowly seeping it’s way into the genre will be looked at with a critical eye, and plenty of appreciation of it’s brilliance.
Crime Does Not Pay is a theatrical crime-genre series of short films by MGM that ran in theatres from 1935 to 1947. The Crime Does Not Pay series revolves around one-off short stories starring police officers, detectives, and criminal justice workers of all kinds solving the crimes surrounding them. It also had a spin-off radio show that ran from 1949 to 1951, and a crime-genre comic series by Lev Gleason Publications that -while both have the same title- are not actually related.
However, -as the writer of this article doesn’t own the “COMPLETE SHORTS COLLECTION” and also wasn’t able to find any of the films on the internet aside from Don’t Talk, a WWII-Propaganda piece about industrial espionage and defense manufacturing- most of the information regarding Crime Does Not Pay used in this analysis had to come from the radio dramas based on MGM’s films, and assorted IMDB articles.
As far as Crime Does Not Pay‘s influence on the magical girl anime genre goes, it wasn’t always there. While their worlds still have cops and other law enforcement, traditional crime series elements ended up taking a backseat to the sparkles, teamwork, occasional romance, and threats too huge for many criminal justice fields to even deal with, let alone defeat: That’s where the magical girls come in after all. It would take years before Crime Does Not Pay would ever influenced their genre.
Enter the early 2000’s, the very end of the “classic” era and the very beginning of the “Modern” era. After Sailor Moon ended in 1997, Toei Animation had been going through new magical girl series on a regular basis; At one point, they demanded an anime producer by the name of Washio Takashi to make a series for them, as they needed something to fill another show’s soon-to-be-empty time slot. However, there was problem; Washio Takashi wasn’t familiar with any “shoujo” genres, let alone the *~Mahou~* Shoujo genre.
Hoping to solve his writer’s block, Takashi watched a few episodes of his favorite classic crime series, Crime Does Not Pay for inspiration: As the daunting tales of detectives and crimes filled his head, he decided to bring a lot of elements from the show into his and Toei Animation’s Izumi Todo’s newest magical girl show; Futari wa Pretty Cure.
Futari wa Pretty Cure ended up premiering on TV Asahi in February 1, 2004. (Even though the show looks an entire decade older than it actually is.) The anime stars two girls: Nagisa Misumi, and Honoka “The Queen of Knowledge” Yukishiro. Nagisa, -like a true crime detective- doesn’t play by the rules, but by a sense of justice; She hates that innocent people get hurt for things they had nothing to do with.
Honoka, on the other hand, is a member of the chemistry club, therefore making her a professional chemist not unlike how many of the crime solvers in Crimes Do Not Pay are professionals at their jobs.
After finding two talking cellphone critters, and becoming magical girls as a result, Nagisa and Honoka use their newfound powers and friendship -as Cure Black and Cure White respectively- to stop evil such as brutes, card-counters, and card-counting brutes.
Similarly to Crime Does Not Pay, there’s thrilling action sequences that show up deep into Futari Wa Pretty Cure‘s episodes. Unlike Crime Does Not Play, though, they don’t use guns and punch people: Instead, they turn into magical girls,and punch people. (They even punch/kick people more than they use stock footage attacks.)
In the end, justice wins every time: The crimes get solved, and Nagisa and Honoka -like Crime Does Not Pay‘s narrators- reflect on the mysteries of the human psyche and the crimes surrounding them.
Futari wa Pretty Cure ended up being a massive success, spawning not only a direct sequel and two movies, but countless spin-off seasons as well, each detailing the lives of various different teams like the original Crime Does Not Pay does with it’s crime solvers with each new short film; One film it would’ve been police inspectors, another would have FBI agents. Precure (the abbreviation for the franchise as whole) seasons past Futari wa Pretty Cure work much the same way; One season you’d have a chemist like Honoka, but another season you’d have a character like Splash Star‘s artist, Mai Mishou, instead. While the amount of Crime Does Not Pay‘s influence varies from installment to installment of the franchise, sometimes it gets even more obvious than it was in Futari wa Pretty Cure itself.
A good example would be from the tenth anniversary season, 2014’s Happiness Charge Pretty Cure, which makes its influences incredibly obvious through it’s use of “Precards”; Not only dues it reference Futari wa Pretty Cure‘s similar (but unnamed) cards, but some of the cards, -such as the detective or police Precards- are references to the original Crime Does Not Pay series itself. (Complete with being able to be used by the non-magical forms of the protagonists, for that nice, classic crime fiction feel!) Conveniently, there’s clips of these forms already posted on YouTube, so here they are for the sake of evidence.
However, many modern-day magical girl shows (especially those from during the 2010’s) chose to follow in Puella Magi Madoka Magica‘s footsteps instead in being gritty and dark, choosing to revel in the dark themes of shows prior except on an even huger scale than shows like Sailor Moon had ever done. And as we all know, edgy shows/comics/other works -magical girl genre or otherwise- don’t look highly on law enforcement, and it would be highly unlikely that these shows would take influence from classic crime fiction such as the short films of Crime Does Not Pay. (Which were initially made to stop the influence of 1930’s gangster films, the “edgy” works of it’s time.)
…Well, that, and there’s virtually no results for “magical girl police” or “magical girl detective” online, modern-era shows or otherwise; That means no shows are taking OBVIOUS influence from Crime Does Not Pay either. This, however, leaves the question of whether or not modern Magical Girl shows will continue to take influence from Crime Does Not Pay after the genre gets over it’s Hot Topic phase: Will the genre get its own equivalent of Crime Does Not Pay to combat it’s Public Enemies and Scarfaces? Only time will tell at this point. (But I sure hope Crime Does Not Pay‘s legacy in the magical girl genre will be able to continue, especially as it’s arrived fairly “late” in the grand scheme of things.)